All three have on accessories like a pair of heels, or a jacket, or a bracelet. The
All three have on accessories like a pair of heels, or a jacket, or a bracelet. The
The Betrayal of Christ

Duccio di Buoningsegna's The Betrayal of Christ depicts the capture of Jesus very clearly. There is no question as to what this particular painting is about. Judas is giving Jesus a kiss on the cheek to signify the guards which one he is and the disciples are running away. Christ is very easily spotted in the picture. Besides the kiss of Judas, Christ is in the center, he has a halo, and his robes are a blackish-blue color that completely contrasts the colors of His captors.
The Fifer
For my entire life (or at least as far back as I can remember) I have looked at this little boy. He has been sitting on a chair in our living room for the past seventeen years. He never ages, he never moves, or plays that flute of his. He just sits on our sofa—a boy in needlepoint. This pillow has always fascinated me. When I was little I would look at it and wonder about it. At one point I even took it down to my room to sit with the rest of my dolls.
A couple months ago the Frist Center in Nashville announced that they were going to have an Impressionist exhibit of paintings from the Musee D’Orsay. The posters and signs had The Fifer on them but I was so surprised when I saw the Fifer’s rosy cheeks up on a billboard on the way downtown. I passed that billboard every day just waiting until the chance came that I could go see the exhibit.
I have always had a love for impressionist art—my favorites being Boudin’s seas and Degas’ ballerinas. I was able to see both of these at the Frist as well which was so exciting, but The Fifer was nothing that I could imagine. It was much larger in person. The Frist Center was something I was looking forward to for a while, but now that I’ve gone, I just want to go again……..

To his right the apostles stand facing away from Christ except for Peter who faces Christ and takes the righteous to heaven. Above the apostles, an enthroned Virgin Mary extends her hands in blessing while an angel trumpets to waken the dead. On the far left, the blessed ascend to heaven by holding on to the legs and wings of the angels. St. Peter oversees the operation with a key, and takes one righteous soul by the hand.
Below, more of the redeemed rise from their graves with the help of angels and rejoice. Towards the left, a person sits on his grave and unwraps his grave clothes, looking up in wonder. Among the saved can be spotted two bishops and two pilgrims. The pilgrims have symbols on their bags - a Greek cross for the pilgrimage to Jerusalem and a scallop shell representing Santiago de Compostela.
On Christ's right there is depicted the Weighing of Souls, presided over by Archangel Michael who leans on the scales to help them go in the right direction. Meanwhile, a devil attempts to sway the scales in his favor by hanging on them.
Along the bottom is an inscription warning against the horrors of Hell. On the far right, divided from the horrific scene by a vine, an angel trumpets to awaken the dead. Below this, more of the damned march to their doom. The most interesting are towards the right: a greedy man clutches his moneybags, and one sinner is pulled into Hell by two giant claws around his head. Two people sit on their tombs in their grave clothes. Compared with the joyful parallel on the left, they do not look to be in any hurry to cast them aside and stand up.

These very ornate looking things are called fibulas. The fibula served two purposes - as jewelry and as a clothes fastener (much like a safety pin or a button). The fibula was made in many different shapes and sizes. They would come with many different jewels and designs. The clothing worn by men and women during that era was not sewn. Fibulas were a common find. They were a necessity. The Etruscans were the first to wear fibulas. Often times the designs were zoomorphic. They had many animal figures. Very intricate metalwork was needed to make these fibulas.
They used fibulas to fasten their clothing to themselves, but they were also used as a means of status. That fancier fibula you had, the more important were. This Fibula was found in the Queen's burial in France. It shows two hooked fish and if you look closely you can see an eagle.

The Frist Center for the Visual Arts is an art museum in downtown Nashville. It has just recently finished exhibitions of Chilhuly and Haute Couture fashion. The vision of the Frist Center is to inspirepeople through art to lookat their world in new ways. The Frist strives to present and originate high quality exhibitions for the community. The center opened in April 2001, and since that time has hosted a spectacular array of art from the region, the country, and around the world.
Just recently at the Frist Center “The Golden Age of Couture” ended. This exhibition transports visitors to the most glamorous fashion houses of Paris and London in the years after WWII celebrating an important decade in fashion history that began with the launch of Christian Dior’s famous New Look in 1947 and ended with his death in 1957. The Frist Center is the only U.S. venue hosting this stunning exhibition from the Victoria and Albert Museum in London
Coming up at the Frist Center an exhibition called “The Birth of Impressionism—Masterpieces from the Musée D’Orsay. The exhibition includes 100 masterpieces of mid-to-late 19th-centuryFrench painting from the Musée d’Orsay. This museum in Paris is dedicated to the art of the early modern period (1840s through the early 20th century). The exhibition includes artists such as Courbet, Manet, Cézanne, Monet, and Renoir, Degas, Fantin-Latour, and Whistler. I’m looking forward to this event mainly for the six works by Degas, including Ballet Rehearsal on the Set.
The Frist Center is a beautiful museum filled with magnificent art. If you live in Nashville or are simply visiting, you must see the Frist. For more information click here.